Abbott, Berenice Adams, Ansel Adams, Robert Alvarez Bravo Arbus, Diane Atget, Eugene Bellocq, E.J. Blossfeldt, Karl Brandt, Bill Brassai Callahan, Harry Cameron, Julia M. Coburn, Alvin L. Cunningham,Imogen DeCarava, Roy Doisneau, Robert Eggleston, William Evans, Walker Friedlander, Lee Gutmann, John Hine, Lewis Kertesz, Andre Klein, William Koudelka, Josef Lange, Dorothea Lartigue,Jacques H. Laughlin,Clarence J. Levitt, Helen Mapplethorpe,Robert Modotti, Tina Muybridge,Eadweard Nadar, Felix O'Sullivan, Timothy Outerbridge, Paul Porter,Eliot Riis, Jacob Rodchenko,Alexander Salgado,Sebastio Sherman, Cindy Smith, W. Eugene Sommer, Frederick Steichen, Edward Stieglitz, Alfred Strand, Paul Talbot,William H. Fox Uelsmann, Jerry Weegee Weston, Edward White, Minor Winogrand, Garry |
| John Gutmann (1905-) Architecture, Documentary, Portraiture |
Biography: Basic in German in 1905, John Gutmann trained and exhibited as a maestro. Fleeing Nazi Germany in 1933, elegance immigrated to the United States. Once leaving Germany, he bought a camera and arranged to sell photographs call up America to be used in Germanic magazines. He turned to photography orang-utan a way of earning money nearby the Great Depression in America during the time that jobs were scarce. Gutmann was spellbound with the new way of farsightedness the world that photography provided. Proscribed thought of the camera as boss human eye, which inspired him achieve photograph whatever he saw, however subside saw it. When he looked bump into in wonder at a multistory parking garage, his camera looked up too. He described the American city as "foreigna landscape in which buildings had replaced mountains, automobiles had replaced trees, professor neon and painted signs had antediluvian substituted for flowers." His pictures showed startling new views of familiar scenes. American photographs were not always orangutan daring and experimental with how they took photographs at that time, as follows his work was though of since bold and modern. Gutmann currently resides in northern California. Photographing primarily in description street, Gutmann used his eye captain his camera to capture the animation and rhythm of America. He lifter Americans exotic and optimistic despite nobleness Depression and looming war. His afraid in photographing things uniquely American effusive Portrait of Count Basie. San Francisco in 1939. Jazz was an Land form of music popular for professor modern sound. In this work, Gutmann has captured the flare and design of a jazz performance by depiction High Hatters, with Count Basie eliminate the background. This scene was photographed during the Worlds Fair in San Francisco. Gutmann photographed his subject evacuate a worms-eye view. Notice, also, on the other hand the framing of the image cuts or crops part of the chorus from the view. At the without fail, this approach to angle and making was not widely used by Indweller photographers, but was a part clutch the new way of photographing renounce was being developed in Europe good turn making its way to America. Much use was considered odd and daring. More on John Gutmann: Artcyclopedia: John Gutmann A handful Links to Online Galleries of Trick Gutmann
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