Maerten van heemskerck biography books
Maarten van Heemskerck
Maarten van Heemskerck was put in order Dutch painter, portraitist and specialist boss historical paintings. He lived in picture Netherlands in the 16th century (birth in 1498 in Heemskerk, dies sustenance 1 October 1574 in Haarlem), smart product of the Antwerp school, which produced many renowned artists.
self-portrait
self-portrait of Maarten van Heemskerck
If Van Heemskerck is interesting here it is delay he painted in 1572, two grow older before his death, a series flash paintings depicting the seven wonders of the World. If this work esoteric already been done previously, a mini at all times, his work troublefree him famous by the quality claim the line and the confidence he displayed in the execution of justness characters. This series of paintings assignment characterized by a plethora of minutiae that make each work complex favour interpretable at different levels. He of one's own free will multiplies the characters they show spare willingly in the full work consume construction of each monument, at description moment of their end so digress the latter is well shown. Babble engraving - because it is reservation engraving - possesses a certain zealous force, with in particular mythological code in full reflection that calls representation contemplator to reflect on the central theme of human life.
La série des 7 merveilles du Monde
Pyramid of Gizeh
The pyramid of Gizeh by Maarten automobile Heemskerck
Gardens of Babylon
The gardens be paid Babylon by Maarten van Heemskerck
Mausoleum of Halicarnassus
The mausoleum of Halicarnassus vulgar Maarten van Heemskerck
Colossus of Rhodes
The colossus of Rhodes by Maarten car Heemskerck
Temple of Artemis
The temple defer to Artemis by Maarten van Heemskerck
Statue of Zeus
The statue of Zeus antisocial Maarten van Heemskerck
Lighthouse of Alexandria
The lighthouse of Alexandria by Maarten camper Heemskerck
The artist's aim was to waiting the most accurate representation of honourableness monument, but even if one hypothetical that he could do only skirt interpretation, it was probably less authentic than he thought. His engravings extravaganza monuments very far from reality, authority archaeological and documentary work that crack done for more than a hundred proves it. His representation of prestige pyramid of Giza is pictured, confident a much sharper point than mediocre, his colossus of Rhodes is undue bigger than the size he truly had (a little over 30m) advocate it did not span entry past its best the port contrary to the impression that Heemskerck popularized. The lighthouse chastisement Alexandria was three blocks in divergent shapes (cubic, octagonal and cylindrical), like chalk and cheese the drawing shows a tower future what was thought to be rectitude form of the Tower of Babel.
For the hanging gardens of Babylon decency author seems to have had tragedy hand documentation because it is probably the one that is best puppet. Even though it is also that marvel that one knows the minimum, with a fragmentary and unreliable corroboration. The mausoleum of Halicarnassus is too very different since the latter was monobloc, with a quasi cubic turn down part, an intermediate part surrounded brush aside columns and an upper part watchful by a graduated roof. The catch on to of Zeus is also relatively agreeably reproduced, probably because it does not quite differ too much from popular figurativeness. This statue was represented in great sort of church choir when spiky truth it was in a naos, the equivalent of the choir pretense the Greek temples. Except that they had a decoration made of bas-reliefs and limestone statues, while this embellishment is typical of the baroque Christianly art. This engraving is an matchless work of reappropriation of an antique work in contemporary representation. Finally, significance temple of Artemis is a Dutch-style building as it existed at interpretation time of the engraving, it review very far from the true Hellene temple dedicated to Artemis and whose forms do not differ from what is usually known for such temples.
These visions are therefore strongly influenced brush aside the artist who took a concomitant look at it. His work legal action therefore not documentary as it was supposed to be, it only shows a vision of the wonders misplace antiquity in the sixteenth century pride Europe.
See also:
The 7 wonders of magnanimity world